Excel Media Production :: Video Equipment

video equipment

Some of My Equipment

I am also skilled and experienced with a wide variety of other production and post-production equipment and software.

	The Panasonic AGHVX200 offers a high-resolution 3-CCD imager. The HVX200 is equipped with a 1/3" 16:9 progressive 3-CCD imager (effective resolution of 1.1 million active pixels with a spatial offset) that delivers outstanding image quality. It offers low smear and a high S/N ratio that results in low noise. The HVX200's image quality is also enhanced by a new high-performance digital signal processor (DSP) featuring 14-bit A/D conversion and 19-bit inner processing. Equivalent to the processors used in many higher-end HD cameras, this new DSP ensures precise, beautiful recordings in all video formats. Because the HVX200 scans at native 1080P for the initial picture processing, users get the highest level of vertical resolution, whether shooting in HD or SD.
	VZ RockPZFI Specifically designed for Panasonic HVX200, DVX100B, HMC150, and HPX170 cameras, this is the first and only zoom, focus, and iris control. This powerful combination offers precise control over these three camera functions. Operator may switch between auto and manual control for focus and iris at anytime. Works on all camera supports, stabilizers, tripods, & jibs.
	The Marshall V-R70P-HDA features a completely Digital TFT-MegaPixel high resolution LCD screen with 1.2 million pixels, V-Mount battery adapter, 4-pin XLR power jack, and optical-grade polycarbonate screen protection. Analog signals are digitized using advanced 10-bit processing with 4x oversampling and adaptive 5-line comb filter. Video is scaled to fit onscreen in the highest resolution using a state-of-the-art LSI that incorporates 4x4 pixel interpolation with precision Gamma correction to produce the best images available.

	The Sennheiser EW 100-ENG G2 system is ideal for video recording in the most varied recording situations. The ME 2 clip-on microphone is virtually invisible. The extremely small SK 100 G2 bodypack transmitter and the SKP 100 G2 plug-on transmitter as well as the EK 100 G2 camera receiver feature nine frequency banks with four directly accessible presets each – ready for immediate use.

	Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

	Digidesign's Pro Tools LE and Mbox features acclaimed Focusrite mic pres andcouples high-quality components with a 24-bit input-to-output signal path to guarantee the fidelity of your sound throughout the production chain. And with Pro Tools LE software placing legendary recording, mixing and editing prowess at your fingertips, you're in an ideal position to take Mbox anywhere and still get the pro results you've come to expect from Digidesign and Focusrite products. The express purpose of Mbox is to make Pro Tools available to you as readily and effortlessly as possible. With Mbox, you can literally create a functional, effective studio environment in as much time as it takes to plug in your gear, boot up your laptop or desktop computer, and launch Pro Tools.